Коломбо

Johnny Cash's limited acting ability is remarkably offset by his semi-autobiographical portrayal of a gospel crusader who wishes to use half of the concert earnings to finance his lavishly reckless lifestyle, rather than plough all of the monies into building an ornate tabernacle. His blackmailing wife and one very young concert group member are killed off so that his reputation remains unblemished and his lifestyle can be maintained.

Everything you would want in a Columbo story is in evidence here: a refreshingly original, well-thought-out plot with an ingeniously conceived "murder" scenario; a very tightly structured script with each scene leading on nicely from the last; circumstantial clues which are clever and instinctively-developed; an abundance of well-crafted scenes between a typically persistent Columbo and a relatively self-assured murderer which have a progressive intensity about them; and well-timed injections of humour.

A crackerjack Columbo episode, that is all the better for making it look like the murderer has won (note: the airport scene); and for not being sentimental when Columbo pities the murderer. Almost flawless in its conception and execution, this must be one of the best ever Columbo episodes.