SYNOPSIS
In 1948, Edith Piaf offered a Paillard-Bolex camera to Charles Aznavour, which would always be with him. Until 1982, Charles would shot hours and hours of material which would become the corpus of his film diary.
In 1948, Edith Piaf offered a Paillard-Bolex camera to Charles Aznavour, which would always be with him. Until 1982, Charles would shot hours and hours of material which would become the corpus of his film diary.
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