OBSAH
As was the fashion among many directors of the epoch, Jean Vigo's first "point-of-view" documentary aimed at capturing the life and the very essence of a city; here, the beautiful seaside resort of early-1930s Nice. However, with the aid of Dziga Vertov's brother, Boris Kaufman, this avant-garde short film evolved from an ordinary depiction of a coastal town into a caustic and sarcastic report of the "real" Nice, portraying the contrasting lifestyles of its inhabitants. Starting with a series of captivating aerial takes, Vigo's film continues with scenes that pivot around the sun-kissed Promenade des Anglais, and unexpected juxtapositions of poverty and wealth; modern architecture and garbage; the working poor and the idle rich. In the cosmopolitan city of Nice on the French Côte d'Azur, eye-catching tableaux of sharp and eternal antitheses invite us to take a look at the anatomy of a small world. Does beauty transcend the boundaries of money, language, and social classes?
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