SYNOPSIS
James Whale's extravagantly produced sequel to his own Frankenstein still ranks as one of horrordom's greatest achievements. From his wittily eccentric direction and Elsa Lanchester's electric hairdo, to Ernest Thesiger's ingenious portrayal of the perverse Dr Pretorius and Boris Karloff's alternately poignant and pushy monster, it's a class act from amazing start to religious-slanted finish. They don't get any better than this one and some scenes - the unveiling of the bride to the sound of wedding bells, the miniature people in bell jars - are of emphatic classic status.