ÖZET
Stage-managed and manipulative picture, which can be viewed as an ironic pendant to poetic films celebrating the common sense, view into a static existence of a village alcoholic trying to cope with a text from the parish priest - within the context of the Christian rhetoric, the reconstructed commonness of the main character loses its meaningless nature, and the Man, on his way to catharsis through a catholic teaching, boozes away to a higher symbolic order.
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The Canterville Ghost 
Selvi Boylum Al Yazmalım 
Aşkın Yolculuğu: Hacı Bayram-ı Veli 
Sünger Bob Kare Pantolon 